The director is reissuing “Schindler’s List,” as he expands the mission of the Shoah Foundation through video testimonies of genocide survivors.
Jean Curran’s dye-transfer prints from film frames, and a stop-time movie by Catherine Opie, continue the 60-year love affair with Hitchcock’s “Vertigo.”
The Times’s art critics select some of their favorite art books and books related to art of the year.
The art critics of The New York Times tell you what rocked their worlds this year: notable art events, works in museums and galleries, emerging artists and how they found beauty in unexpected places.
Christmas brings out — in rotation — Benjamin W. Bradley’s collection of more than 3,000 handmade and unusual ornaments, many of them from Germany.
Kevin Beasley confronts King Cotton’s legacy in his solo museum show.
In a lawsuit, officials of the Eastern Orthodox Church say the university has four manuscripts that were looted from a monastery in Greece in 1917.
Would an appearance at Art Basel Miami Beach help ten women scale the barriers of rejection or aesthetic misunderstanding they found in Georgia?
Starting next fall, Phillips will take over 55,000 square feet at 432 Park Avenue, a “serious upgrade,” said its chief executive.
Yasumasa Morimura occupies the Western canon, Jane Kaplowitz finds art in a bifurcated identity, Valerie Hegarty explores the imaginative possibilities of decay, and Seth Price goes to hell.